House of Worth: The Birth of Haute Couture

Charles Frederick Worth, the designer who dominated Parisian fashion in the latter half of the nineteenth century, was born in Bourne, Lincolnshire, England, on October 13, 1825. As a young man, Worth worked as an apprentice and clerk for two London textile merchants. In addition to gaining a thorough knowledge of fabrics and the business of supplying dressmakers during this time, he also visited the National Gallery and other collections to study historic portraits. Elements of the sitters’ dresses in these paintings would later provide inspiration for Worth’s own designs, for both fashionable ensembles and masquerade costumes.

Charles Frederick Worth. Photograph by Charles Reutlinger, c. 1875. Private collection

Worth relocated to Paris in 1845. Despite early struggles, he found work with Gagelin, a prominent firm that sold textile goods, shawls, and some ready-made garments. Worth became Gagelin’s leading salesman and eventually opened a small dressmaking department for the company, his first position as a professional dressmaker. He contributed to the reputation of the firm with prize-winning designs displayed in the Great Exhibition in London (1851) and the Exposition Universelle in Paris (1855). The designer opened his own firm with a business partner in 1858.

This illustration shows two elegant women in front of the window of Gagelin mercery shop fashion, in Alexandrine’s dresses, ca. circa 1855, Courtesy Alexandre Vassiliev Foundation

Worth’s rise as a designer coincided with the establishment of the Second Empire in France. The restoration of a royal house in 1852, with Napoleon III (1808–1873) as the new emperor, once again made Paris an imperial capital and the setting for numerous state occasions. Napoleon III implemented a grand vision for both Paris and France, initiating changes and modernization that revitalized the French economy and made Paris into a showpiece of Europe. The demand for luxury goods, including textiles and fashionable dress, reached levels that had not been seen since before the French Revolution (1789–99). When Napoleon III married Empress Eugénie (1826–1920), her tastes set the style at court. The empress’ patronage ensured Worth’s success as a popular dressmaker from the 1860s onward.

The Empress Eugénie (Eugénie de Montijo, 1826–1920, Condesa de Teba) by Franz Xaver Winterhalter, 1854, Courtesy The Metropolitan Museum of Art, New York

Worth’s designs are notable for his use of lavish fabrics and trimmings, his incorporation of elements of historic dress, and his attention to fit. While the designer still created one-of-a-kind pieces for his most important clients, he is especially known for preparing a variety of designs that were shown on live models at the House of Worth. Clients made their selections and had garments tailor-made in Worth’s workshop.

Although Worth was not the first or only designer to organize his business in this way, his aggressive self-promotion earned him the titles “father of haute couture” and “the first couturier.” By the 1870s, Worth’s name frequently appeared in ordinary fashion magazines, spreading his fame to women beyond courtly circles. – Krick, Jessa. “Charles Frederick Worth (1825–1895) and the House of Worth.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/wrth/hd_wrth.htm (October 2004)

An illustration of a Worth evening gown from Harper’s Bazaar, 20th January 1894

Long form articles:

https://monarchyofstyle.blogspot.com/2015/05/eugenie-worth.html

https://fashionista.com/2013/07/remembering-the-father-of-haute-couture

https://www.metmuseum.org/toah/hd/wrth/hd_wrth.htm

https://www.napoleon.org/en/history-of-the-two-empires/articles/charles-frederick-worth-the-empress-eugenie-and-the-invention-of-haute-couture/

http://www.beautifully-invisible.com/2012/11/charles-frederick-worth-the-origin-of-the-fashion-show.html

The House of Worth: The Birth of Haute Couture

Charles Frederick Worth, Chantal Trubert-Tollu, Francoise Tetart-Vittu, Jean-Marie Martin-Hattemberg, Fabrice Olivieri

Published by Thames & Hudson (2018)

ISBN 10: 0500519439 ISBN 13: 9780500519431

The House of Worth: Portrait of an Archive 1890-1914

De La Haye, Amy”, “Mendes, Valerie D.”

Published by Victoria & Albert Museum (2014)

ISBN 10: 1851777741 ISBN 13: 9781851777747

The House of Worth: Fashion Sketches, 1916-1918

Litchfield Historical Society

Published by Dover Publications 9/16/2015 (2015)

ISBN 10: 0486799247 ISBN 13: 9780486799247

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